Cultural Night of Copenhagen
2008 and 2009
In the settings of the Royal School of Architecture, Poetic Night Shades took place. An interactive event where the audience were invited to play around on a scene back to front. Screens were lit up from behind and music inspired people to play and improvise. The white screen in front of the one night actors/visitors and the fact that you couldn´t see the spectators, took away all shyness of the visitors and they were dancing and playing around as one would normally only do in a private sphere.
The view of the screens from the front became very poetic and aesthetic with the knife sharp black and white shades of this non-instructed play and dance.
Poetic Night Shades was performed in slightly different ways both 2008 and 2009. A project designed by Lisbeth van Deurs and Malene Sakskilde.
Ord-drysseri / A public song
2007
Lisbeth van Deurs and Malene Sakskilde in collaboration with Domkirken, The Cathedral of Copenhagen, The Night Church, put on an event where a giant score was put up in the middle of the Church, running from one end to another. Visitors of the Night Church were invited to write one word on a piece of paper and peg it up on one of the lines on the score. Twice throughout the night an opera singer and a cellist performed this audience-made piece, improvising over the words, singing and playing according to whether people had chosen to put them high up or low down on the score.

This could be yours
2006
Lisbeth van Deurs and Malene Sakskilde again made an exhibition focusing on consumerism in contemporary society. This time, in collaboration with the police and the department of "Lost and Found", 65 persons were asked to rewrite a lost objects story, e.g. a broken umbrella, a wedding ring, a parrots cage, a mannequins hand, etc. The 65 persons writing were politicians, scientist, musicians, actors, publishers and more. This exhibition later went on tour and was exhibited in Randers, Tobaksgården. A homepage was set up on the exhibition as a part of a university project:
thiscouldbeyours.dk
Electronic Junk Yard
2005
Lisbeth van Deurs and Malene Sakskilde put on an event in what was at the time Denmarks largest shopping Center, City 2. Dealing with issues around consumerism in contemporary society it seemed logical to circulate some of the consumers’ waste, back into the Center and give it a second time in the spotlight. A lot of electronic waste was picked up at Jernpladsn and dumped in huge piles on the floor in the Center. People were invited to compete in remaking stuff out of the junk. Professionals from "The Lab" had been hired to help the audience with technical support. In no time, discharged coffee machines and wrecked computers had been turned into moving, flashing, beeping new inventions.
Cress Poetry
2005
Twelve writers and poets were asked to write short texts or poems on "the fleeing..." The setting was Domkirken, The Cathedral of Copenhagen, The Night Church. The poems and texts were grown in cress and could be seen and read only for one night, All Saints Night, in the church.
Word-to-image
2003
An experiment in passing on images from text to art to image in a chain of thirteen practicing writers and artists. Looking at the work by the end of the experiment, will the essence of thought and feeling remain and survive the journey. The event took place as a marathon over two days. The setting was an old factory, a huge room. Only one person was there at the time. A writer started the chain off with a short text followed by an artist who painted/sculpted or whatever the text. The following writer now wrote from the painting and then a new writer wrote from that. The process was recorded on video. And yes, despite thirteen not so small egos, some essence survived though transformed through thirteen set of eyes and ears.

Goodness
2002
The exhibition "Goodness" opened in Malmo, Sweden. This was first of three exhibitions, based upon the same subject and questions, all inspired by the Danish philosopher Soren Kierkegaard and his way of regarding goodness. In 2003 followed the second and third exhibition in Stockholm and Ystad respectively.
In Malmö Lisbeth van Deurs and Patrik Gyllander installed and exhibited both Swedish and Danish homeless people under a glass floor built for the occasion in the gallery. Visitors had to step onto the glass floor and the people under it as they entered the gallery. People passing by the gallery windows had full view of both the people on top and those below the glass floor. This attracted a lot of attention from the public, media and politicians. As the event took place just prior to an election in Sweden all political parties invited happened to be represented at a press meeting arranged in the gallery.
The second exhibition took place in Stockholm. A film, based on the first event, was shown on a huge canvas sown out of clothes, sleeping bags etc. donated to the artist by the homeless people involved in the project. This huge canvas had been painted white as a metaphor of an artist canvas and the irony in starting all over white and clean with the ghost of clothes and objects showing under the clean surface.
The third and final exhibition took place in Ystad Art Museum just before Christmas and was designed so that when visitors entered the floor with the exhibition "The Gift", they had to chose between two entrances: one, requesting a gift, to be wrapped up in Christmas paper; the other, left freedom of choice to donate a gift. Many sponsors had donated beauty products, fur-products, clothes, electronics etc. Amongst the presents were also fake gifts (e,g, empty parcels). Many visitors found it difficult to decide on which entrance to take. In general, teenagers proved to be generous, women more likely to come back because they had second thoughts, and men between the age of fifty and sixty picked the entrance where they could have a gift for free, every single time.
All three exhibitions were constantly put into the perspective of "Goodness". Why did the sponsors donate, why did the politicians show up, why did the hotel host the homeless folks at night, the florist, the catering company, the gallery owners, the Director of the museum and we -the artists- do what we did. Goodness?
other
EAT
Lisbeth van Deurs, as a member of the Swedish art group E.A.T. (Experiment in Art and Technology) has participated in a project in Lund, Sweden 2006. "Mobile Academy" where experts in different fields were put in the Town Hall and the public could book an expert for an hour to learn, face-to-face, about building a submarine, blue movies, cellphone design, politics, film-making, etc.
CITY OF WORDS
Lisbeth van Deurs also participated in "City of Words" Cph. 2004. An art event initiated and imported from Barcelona.
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